New Family

This little family was so much fun to make pictures with. She's due in February.

Nikon D800, 105mm f/2.8 VR Micro Lens, f/9, 1/200s, ISO 200.

Pacific City

I hate to do it to the locals, but the world must know: Pacific City, Oregon is incredible. The beach is simply a wonderful place with incredible surf (point break characteristics?), and the most splendid tide pools on the planet, plus luscious dunes and caves and enormous rocks. 

I spent an afternoon there last week, and I can't wait to go back. I got to go make pictures for a wonderful family from Idaho, and everywhere I turned there was a great image waiting.

Highly recommended and totally worth whatever drive it takes to get you there.

Nikon D800, 105mm f/2.8 Macro VR lens, f/4, 1/1600s, ISO 100. Pacific City, Oregon's beach is stunning, and Lake Oswego is just a two hour drive away.

Damsels Wanted! Have Hero, Will Travel

I gotta admit, this song has been running through my mind while I've been finishing this image; it's good to be finished...so I can get a different song in there. Making pictures with these kids was so much fun, and then drawing my monster in was a whole other fun thing to do. I can't wait to do it some more!

Tryon Creek State Park in Southwest Portland/Lake Oswego is a wonderful place to make pictures.

*Sigh*

It's just what I needed. A relief. A pleasure, really. I got to photograph F. and her new little L., today. She's just a month old, but look at all that hair. Thanks a bunch for a fun time making pictures, F.

Nikon D800, 105mm f/2.8 VR Macro lens, f/8, 1/200s, ISO 100.

Technical stuff. We made this picture on the side while making portraits for the Portland Urgent Care clinic where F. works. Effectively, that means I had the lights setup in a specific manner that helps ensure the portraits are all similar, which means I couldn't easily move it to make a piece of art for mother and daughter. 

I had a black backdrop, a small octabox up front, and a barebulb strobe with a reflector in the back. Without changing my light settings, I brought F. a little closer to the octa to wrap her and baby in a softer light (the closer, the softer). We made several frames here, but this was my favorite, shot with me on a chair so I could see from a little above.

Brothers Walking

Nikon D800, 28-300mm f/3.5-5.6 VR lens @135mm, f/5.6, 1/125, ISO 1600.

I was fortunate enough to attend Photoshop world in Las Vegas last week, and also to lead a photowalk with a bunch of terrific photogs. Lemme tell you, Vegas is different from Lake Oswego, but photography is the same everywhere. It was 100 degrees at night and all we could do was keep walking and shooting. It was a blast.

As we walked, I noticed this bright, soft light shining on R.'s face, so I begged a portrait of him. He was a little reluctant, but incredibly patient as we waited for the huge sign overhead to cycle through different ads and different colors of light. I love happening on this kind of thing, and I love that R. let me make a portrait with him.

R.'s brother, R., was also along on the walk, the two of them visiting from New York. There's this wonderfully lit stairwell we passed, and I just had to have a portrait with R. Funny thing is, as we made a few frames we gathered quite a crowd of international tourists. Apparently, R. resembles one of Bob Marley's sons who lives in Vegas. Who knew?

Nikon D800, 28-300mm f/3.5-5.6 VR lens @112mm, f/5.6, 1/80s, ISO 1600.

Walking The Strip at night shows all the lights of Vegas, and it's really fun to see. However, most of those lights are not the best for portrait lighting. In situations like this I search for light to make my subjects stand out, and that often means the portrait will be a few highlights on a black field. I like that. It fits my mood. High ISO's are my salvation when photowalking at night.

Jabberwocky

Nikon D800, 105mm f/2.8 VR Micro Lens, f/8, 1/15s, ISO 400, Nik Color
Efex Pro 4 with Photoshop CC and Lightroom 5.

Beware the Jabberwock, my son!
  The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
  The frumious Bandersnatch!"

He took his vorpal sword in hand:
  Long time the manxome foe he sought --
So rested he by the Tumtum tree,
  And stood awhile in thought.

And, as in uffish thought he stood,
  The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
  And burbled as it came!

One, two! One, two! And through and through
  The vorpal blade went snicker-snack!
He left it dead, and with its head
  He went galumphing back.

"And, has thou slain the Jabberwock?

  Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
  He chortled in his joy.

Man, I had a great time this morning with the Portland PAC (find us on Facebook) at Tryon State Park in Lake Oswego. Being new in town, I'm still getting to know areas, so I suggested we get together and go shoot in the woods. Tryon creek is such a beautiful park, and right in the middle of town, too, so it's super convenient. 

My pal Megan found us some willing models (more or less willing, anyway). As the day drew nearer I got thinking that something like Robin Hood would be a fun story to show. Then as we were sorting through clothes, this image came together. I'm reminded of the Jabberwocky, which I memorized in Mrs. Tuggle's class at Air Academy. It's supposed to be a retelling of Beowulf, which is one of the oldest English stories preserved in writing. I think I like Jabberwocky better, however. I really like the picture, and I really appreciate everyone helping me make it come together. I have some other ideas for finishing it, and if I pull it off well, I'll share it with you. 

Let's talk technical stuff, cause this picture is super simple, and it's totally a lucky happenstance that it...happened. See, when working with flashes off the camera, it's best to make the picture look good without the flash, then add the flash in the right amount for the subject. So, while doing my test shots I bumped the tripod, and it made the picture a streak. After I got the final frame of my awesome model, I combined the two with a layer mask in Photoshop. Super simple! I think it makes a dreamy, imaginary effect. Nik Color Efex Pro 4 helped with the finishing touches.

Light is coming from a single speedlight off to the left shooting through a white umbrella, triggered with Nikon's built in CLS. It kinda feels like a beam of light in the woods. Just the thing to make a vorpal blade pop. 

I love making photographs in Lake Oswego!

Boys

NIkon D800, 105mm f/2.8 VR Micro Lens, f/4, 1/125, ISO 200. I love shooting on Collage Campuses, and am looking forward to exploring those in Lake Oswego.

I love photographing families. Look at these boys, and you know how that shoot went: lots of energy, lots of fun, and lots of running around and climbing in trees and hills. Really had a good time. I think even mom and dad had fun. 

I'm available to make pictures for your family, too!

Nikon D800, 105mm f/2.8 VR Micro Lens, f/8, 1/80s, ISO 400. These were the kind of kids who laugh when they're photographer is inflicting little bits of pain on himself...slapstick kinda stuff kept them laughing.

Nikon D800, 105mm f/2.8 VR Micro Lens, f/8, 1/125, ISO 400. Naturally, they behaved for mom...

Nikon D800, 105mm f/2.8 VR Micro Lens, f/8, 1/125s, ISO 400. But these laughs only came when the boys picked on dad a little bit. 

Mother's Day II

Nikon D7000, 28-300 f/3.5-5.6 VR lens @ 68mm, f/9, 1/200s, ISO 100.

Mother's Day

Where would you be without your mom to laugh with you?

Nikon D800, 70-200mm f/2.8 VRII lens @150mm, f/3.2, 1/200s, ISO 100.

Nikon D800, 70-200mm f/2.8 VRII lens @150mm, f/3.2, 1/200s, ISO 100.

Reminder: Mother's Day

It's Mother's Day this weekend, guys. Yeah, it's sneaks up on you. Here's a little something a couple of guys could give their lady love for the holiday.

Nikon D800, 105mm f/2.8 Micro VR lens, f/20, 1/160s, ISO 100.

The Mayor

USU is working on a campaign to show off their satellite campuses all around Utah, and they've asked me to help. I make portraits of students and faculty and staff and graduates, while a video crew does interview with all the same. The campuses are really wonderful and are fully equipped--students don't go there because they couldn't get into USU Logan; they go there because they are good schools, and I've enjoyed getting to know them all and photographing all around the state.

Nikon D800, 70-200mm f/2.8 VRII lens @ 70mm, f/6.3, 1/200s, ISO 100.

This is my favorite picture from the five campuses I've visited so far. This is the previous mayor of Vernal, photographed in the bookstore/cafe he and his wife run on Main Street.  My wife and I arrived first (the rest of the crew was lost in the desert after our session with the wild biology teacher) and we got to spend a few minutes with this great couple. We came in, ordered sandwiches (best lunch in town by a long shot!), coaxed his wife into being in the picture with him, and we were finished shooting before our delicious paninis were ready. They had a portrait on the wall of their progenitors, and I hope this one goes up, too.

I loved setting up this portrait. From the moment we walked in I knew I was going to photograph them in front of the books. I chose the 70-200mm lens because I wanted a little more environment than the 105mm would give me and I was already standing in the bathroom to get a little more space as it was. I could have used a wider lens, like a 50mm, but that would bring too much other stuff into the picture and make it too busy for the graphic designer to use and too busy for me to love. Aperture was set at f/6.3 in order to have enough depth of field to get both faces in focus, but still have some blur to the background and save my flash batteries a little. There was a window behind me to the left and another waaaaay at the front of the store to the right, and florescent lights over head. That means three colors of light and none of it very flattering. I used a small speedlight behind and to the right to put a pop of light on the bookshelf and as a gentle hairlight. The main light is a speedlight through a white umbrella from directly over the table. I wanted it to feel like the kind of light you often see over tables in a cafe, and I think it worked out nicely. The fast shutter speed ensured that those other lights in the room wouldn't influence this picture.

This picture is presented just as I got it from the camera, including the black and white; which just shows how silly it is to brag about not using Photoshop. I shot this image as a RAW image, which always comes to the computer in color no matter the settings on the camera. However, I wanted to leave a print with them, so I needed a jpeg image I could take to Walmart and have back immediately (my first, and hopefully last, experience printing at Walmart. I made two prints in black and white; one was yellowish and the other wasn't. I'm a snob about my prints for a reason.) so I used the in camera RAW processing to create a BW image with a red filter applied to add contrast and ease the skin tones and I brightened it a touch, then saved a jpeg copy. So, my camera has photoshop built in...but it's still right out of the camera! Sigh.

Circumnavigation

Things--life--seem to move in cycles and patterns and rotations. I feel like I'm coming around again and it's a nice way to wrap things up. I'm moving to Portland, Oregon later this month, if you hadn't heard, and everyone is saying goodbye to me. JM is one who has come cyclicly through my photography and this blog. She's been a real friend, always supporting me, and a joy to have in front of the camera, too. 

She and her brother came to classes in 2010 for the first time, and everyone had a great time making pictures with her and N. This is one I didn't share back then. The doorway in the background is my first Studio over on Church Street!

Nikon D90, 85mm f/1.8 D lens, f/6.3, 1/80s, ISO 800.

Looking at that picture now, I realize that I was still frequently shooting jpegs only. Now I shoot everything in RAW, and occasionally RAW with an additional jpeg file (for black and whites, as described in the post below). 

This shoot above was really an auspicious day, too. While we were walking the streets outside the Studio I met my pal Sam, made this picture, and started a friendship thats going strong to this day.

Nikon D700, 70-200mm f/2.8 VR lens @140mm, f/2.8, 1/100s, ISO 400.

What's more, Sam obliged the next session of my classes by coming and modeling for us--and this while rehearsing and playing violin in the orchestra for the Utah Festival Opera everyday. As I recall, he had to boogie from the studio and run across the block to rehearsals as soon as class was over. He's a true friend to spend energy helping us create when he still has creating of his own to do.

Nikon D700, 70-200mm f/2.8 VR lens @ 98mm, f/3.5, 1/80s, ISO 320.

While I was making the above image of Sam, Erin Holmstead was also in the room shooting as one of my students. Another day we were making pictures of flowers in the Studio and I was so inspired by her image that I turned around and made my most favoritest rose picture.

Nikon D700, 85mm f/1.8 D lens, f/5.6, 1/100s, ISO 400.

Nikon D700, 55mm micro lens, f/5.6, 1/80s, ISO 800.

Well, about a year later, Erin started working for me as my intern at the new studion in the Thatcher-Young Mansion. She tried to help me get organized...but I was too much for even her skills, I'm afraid. She was a huge help getting things done, though, and we had a lot of fun times making pictures for people and trying out some wacky stuff occasionally. Eventually, she even let me make pictures for her new family!

Nikon D7000, 28-300mm f/3.5-5.6 VR lens @ 50mm, f/11, 1/125s, ISO 200.

Well, right about the time Erin started working with me, another student asked me to help him one-on-one. J. needed some specific help just for himself at his own pace. So we headed up to USU to walk the walks and see what there was to see. Foolishly, I didn't shoot a single image of J. that day. However, while we were hassling people outside the campus library, cajoling them to be in our pictures, JM walked up and said hello! I hadn't seen her in quite sometime, and I was glad to talk with her a minute.

Naturally, I invited JM to be in a picture or two. She demurred, however, claiming that she wasn't really made up, and didn't think she was ready to be in a picture that day. I said she looked great, but I also respect someone who takes a picture seriously, so I said goodbye and got back to coaching J. on the use of a diffuser in bright sunlight.

You can imagine my surprise a few minutes later when JM tapped on my shoulder and said, "I decided I could be in a picture." She was so genuine and disarming, I couldn't help smiling as I invited her into our location studio on the planter by the sidewalk. I'm so glad that she stopped because it made for one of my all time favorite images.

Nikon D7000, 28-300mm f/3.5-5.6 VR lens @ 92mm, F/5.3, !/3200s, ISO 800.

I love to see the maturity in JM's eyes here, compared with the image made one year prior at the top.

In speaking of all time favorite images, although I didn't make a picture of J. that day, I did have the privilege of photographing he and his wife a little later on. I hope I can become half the husband and friend that J. is.

Nikon D3, 70-200mm f/2.8 VRII lens @ 105mm, f/11, 1/200s, ISO 200.

Oh, and one more all time favorite includes my man Sam. He was back in town again this last summer for the Opera and was, once again, good enough to indulge me in some creative activities. Fortunately, his stay overlapped the Cache Valley Cruise In, so we headed to the fairgrounds in search of the perfect automobile to match up with Sam. As we walked he talked about wanting a '69 mustang. We happened to find one.

Nikon D800, 70-200mm f/2.8 VRII lens @ 145 mm, f/2.8, 1/400s, ISO 400, Nik Color Efex 4, Nik Silver Efex Pro 2.

After convincing the owner of the Mustang to let us use his car for awhile, and after a few more days' break, I got Sam back into the Studio for some more portraits. If you're like me, you can help smiling when you see Sam laugh. That's the kind of treasure this black box I work with keeps for me, and lets me share. In fact, I can share it and share it and never run out.

Nikon D800, 28-300mm f/3.5-5.6 VR lens @ 250mm, f/5.6, 1/200s, ISO 100.

Which brings us to today. I was texting with Erin and Facebook messaging with Sam, when J. surprised me by showing up right before my class to help setup for our club meeting this evening; and who surprised him but JM, who came to model. So, nearly three years and five cameras later, JM is with my class again, sharing herself and helping us learn to create, helping us to consider the importance of pictures. 

What was it Norman Maclean wrote?

"Eventually, all things merge into one, and a river runs through it."

As I sail through life, I find it all goes 'round, and friends come again, and the shutter records it.

Nikon D800, 70-200mm f/2.8 VR II lens @90mm, f/5.6, 1/160s, ISO 800.

A Little Sunshine for the Eye Guy

I made this last night. Matt Hammond is a terrific doctor. You've probably seen his ads in the HomeTown Values Magazine each month: he's the Eye Guy. And he's really a terrific fellow; I love working for him and his family. 

Nikon D800, 70-200mm f/2.8 VRII lens @

Last night we made some new head shots for Dr. Hammond, and as well as senior pictures for his son (those to come). I just couldn't pass up this picture, though, as he held his littlest girl in his arm.

These are some you may have seen in the HTV Mag. We made these last Summer. Let me tell you: Dr. Hammond's family is great to work with...but Big Blue is a riot!

Nikon D800, 28-300mm VR lens @250mm, f/8, 1/250s, ISO 100.

Nikon D800, 28-300mm f/3.5-5.6 VR lens @62mm, f/9, 1/160s, ISO 100.

Nikon D800, 28-300mm f/3.5-5.6 VR lens @250mm, f/9, 1/160s, ISO 100.

Nikon D800, 28-300mm f/3.5-5.6 VR lens @96mm, f/9, 1/160s, ISO 100.

Mama, Don't Take My Kodachrome Away

Yeah, it's that song. I made this picture with my pal Darryl Dobson in September in Park City. It's quite a popular spot to make pictures...but it was the first time I'd photographed it myself. And the colors were coming so nicely. 

Nikon D800, 28-300mm f3.5-5.6 VR lens @50mm, f/11, 1/15s, ISO 320.

In fact, that whole week was pretty incredible. As I was driving to and from Vernal to work on those portraits below, I stopped several times to make pictures. That's a huge advantage of riding a scooter across the country--no windshield to shoot through, and it's easy to turn around and make a picture.

Nikon D800, 105mm f/2.8 VR Micro lens, f/4, 1/1250s, ISO 100.

Nikon D800, 105mm f/2.8 VR Micro lens, f/9, 1/400s, ISO 100.

See, my family was having a little reunion in Park City. That's when my nephews and I made one of my favorite portraits of 2012:

Nikon D800, 105mm f.2,8 VR Micro lens, f/3, 1/200s, ISO 2000.

Passersby, Ends of Worlds

There I was, piddling around inside the Mansion, trying to get my head in gear to get things finished 1) before Christmas and 2) before the end of the world (ending the world with tasks unfinished makes me cranky) when suddenly I looked up and saw a lithe, sleek, black beauty outside the window. And A. was walking along with her. So, I invited them for a few pictures.

What that means is that I actually ran out the door and begged her to come back for a second. Totally worth the time. Totally not any closer to finishing my work. Sigh. Bring it on Mayans.

Nikon D800, 105mm f/2.8 VR Micro lens, f/8, 1/200s, ISO 100.

Nikon D800, 105mm f/2.8 VR Micro lens, f/8, 1/200s, ISO 100.

Nikon D800, 105mm f/2.8 VR Micro lens, f/8, 1/200s, ISO 100.

It's always a pleasure working with L., and even better when it's to celebrate her new life. N. and L. make such a great couple, and perfect subjects for my work, too. And did I mention they have a great temperament? Even after we got (gently) thrown out of this terrific location, we went on to make more pictures to commemorate their wedding.

L. is moving right along in her skills as a stylist and makeup artist, as well, so give me a call and lets put her to work! After a session making pictures with me and her, I'm sure you'll agree that she's an artist.

Nikon D800, 105mm f/2.8 VR Micro lens, f/4.5, 1/100s, ISO 400, Nik Color Efex 4, CS6.

Seasons Come and Seasons Go

A. and D. recently came for a portrait session, a little something to share with their families for the Holidays. Spending time with them was really a pleasure--they're friends of friends, and now friends themselves.

Nikon D800, 105mm f/2.8 VR Micro lens, f/2.8, 1/500s, ISO 100, Nik Color Efex Pro4, CS6.

One thing that is significant about this picture is the location. I'm standing in the canal bed along with A. and D. to make this picture, and this would be absolutely impossible two months ago. Because the canal is intended for irrigation (yes, even right in town people have water shares to water their lawns in the growing season), it only flows part of the year, and the rest of the time it may be found bone dry. 

Not only is the presence of water an obstacle in making this image in other seasons, but flow is another problem. See, right behind me is a race directing the water from the street level above twenty higher and it comes pouring down in a raucous slurry of white froth and foam that would knock me off my feet and carry me past the back of door of the now-closed Hostess Outlet (sigh). In fact, it's such a rush of water that I usually don't come down here in the growing season because I can't communicate with my clients for the noise.

My point is, keeping an eye on locations in different seasons and conditions makes allows me to make the most of all places. Plus, it keeps me excited about places that could otherwise be boring. Oh, here's another example of this same spot in high summer when the grass is up to my shoulders.

Growing Family

Nikon D800, 105mm f/2.8 VR Micro lens, f/7.1, 1/60s, ISO 100. Nik Color Efex Pro 4.

Man, Last time we made pictures for the J. family, that little guy was a newborn. I love this. Watching families grow through my lens is really a wonderful thing.

Falling

It's time! This is the last week for Fall pictures. It's been really wonderful, though, hasn't it? It started high and hot red with the mountain maples firing up the canyons on the Wellsvilles, and now the valley here is heating up with hot oranges, yellows, reds, and maroons. I'm loving it.

And I know you'd love some pictures with your family in it, too. It's not every year we get this kind of wonderful color set, so please give me a call and together we can create some really terrific images.

435-535-1501

Nikon D800, 105mm f/2.8 VR Micro lens, f/8, 1/125s, ISO 100, Nik Color Efex Pro  4.

Family

I really enjoy this work. Reading my blog, I talk a load about what I like, and why I like it, and what food I eat when I travel. It gets to sounding like a lot of 'me'. I write that stuff because I want you to know me a bit, I want you know who I am and I want you to like me so that you'll hire me to make pictures for you, which means I'll have earned money to take care of my own little family. That's pretty much my goal: make pictures and provide for my family.

The thing is, these pictures are not about me, and they are not for me. 

Take the S. family, for instance. This wonderful bunch doesn't care who I am--they just care about each other--a lot. Big J. just left to serve a mission and I made these pictures for his family before he left. He has them with him, and they have them at home. They all get to remember their love while they're apart. And that's what the pictures are for. I'm just lucky enough to be a part and share some fun times making the pictures. I'm just lucky enough to have clients, and I thank you all for that.

Nikon D800, 70-200mm f/2.8 VR IIlens @ 130mm, f/8, 1/250s, ISO 400, Nik Color Efex Pro.